Creative Writing at the Fremantle Arts Centre with Helen Hagemann

Prose with Helen Hagemann Friday, 23^rd August. 10.00am-noon. Room 2, Upstairs, North Wing, Fremantle Arts Centre, 1 Finnerty Street, Fremantle.  $20 OOTA  $25 Non-OOTA

Helen brings you more on the study of "World-wide short fiction", reading Ray Bradbury’s The Veldt from The Illustrated Man. The class includes writing exercises and looking at Bradbury’s short story techniques including Dystopian fiction.  

Ray Douglas Bradbury (August 22, 1920 – June 5, 2012) was an American fantasy, science fiction, horror and mystery fiction writer. Best known for his dystopian novel Fahrenheit 451 (1953) and for the science fiction and horror stories gathered together as The Martian Chronicles (1950) and The Illustrated Man (1951), Bradbury was one of the most celebrated 20th-century American writers. Many of Bradbury's works have been adapted into comic books, television shows and films. Bradbury claimed a wide variety of influences, and described discussions he might have with his favorite poets and writers, Robert Frost, William Shakespeare, John Steinbeck, Aldous Huxley, and Thomas Wolfe. From Steinbeck, he said he learned "how to write objectively and yet insert all of the insights without too much extra comment." He studied Eudora Welty for her "remarkable ability to give you atmosphere, character, and motion in a single line."

    Bradbury resisted the categorization of being a science fiction writer. ‘First of all, I don't write science fiction. I've only done one science fiction book and that's Fahrenheit 451, based on reality. It was named so to represent the temperature at which paper ignites. Science fiction is a depiction of the real. Fantasy is a depiction of the unreal. So Martian Chronicles is not science fiction, it's fantasy. It couldn't happen, you see? That's the reason it's going to be around a long time — because it's a Greek myth, and myths have staying power.’

"The Veldt" is a short story written by Ray Bradbury that was published originally as "The World the Children Made" in the September 23, 1950 issue of The Saturday Evening Post, later republished in the anthology The Illustrated Man in 1951. The anthology is a collection of short stories that were mostly published individually in magazines beforehand. The rise in the popularity of television had a direct influence on Bradbury’s story “The Veldt.” 

At the time the story was written, many American families were acquiring their first television sets, and no one was sure exactly how this new technology would impact the relationships among family members. Some people were afraid that watching too much television would lead to the total breakdown of the family unit.

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Prose Class at the Fremantle Arts Centre with Helen Hagemann

Helen Hagemann returns from an extended leave to bring you more on the study of "World-wide short fiction". The class will focus on "FLASH FICTION" - looking at one of the world's greatest exponents, Franz Kafka. Class will read 4-5 micro-stories from one of the many publications of Metamorphosis and Other Stories (A Penguin Modern Classic) translated by Michael Hofmann. Writing exercises and discussions on the term "Kafkaesque", Kafka's word pictures and the explorations in his very, short prose.

Venue:  Fremantle Arts Centre, Room 2 Upstairs North Wing
Date:    Friday 9th August,  10.00am - noon
Cost:    $20 OOTA  -  $25 Non-OOTA 

Franz Kafka (3 July 1883 – 3 June 1924) was a German-language writer of novels and short stories, regarded by critics as one of the most influential authors of the 20th century. Kafka strongly influenced genres such as existentialism. Most of his works, such as "Die Verwandlung" ("The Metamorphosis"), Der Process (The Trial), and Das Schloss (The Castle), are filled with the themes and archetypes of alienation, physical and psychological brutality, parent–child conflict, characters on a terrifying quest, labyrinths of bureaucracy, and mystical transformations.
Kafka was born into a middle-class, German-speaking Jewish family in Prague, then part of the Austro-Hungarian Empire. At his lifetime, most of Prague population spoke Czech and the division between Czech and German speaking people was a tangible reality, as both groups were strengthening their national identity. Jewish community often found itself in between the two sentiments, naturally raising questions about a place to which one belongs. Kafka himself was fluent in both languages, considering German his mother tongue.
Kafka trained as a lawyer and, after completing his legal education, obtained employment with an insurance company. He began to write short stories in his spare time. For the rest of his life, he complained about the little time he had to devote to what he came to regard as his calling. He regretted having to devote so much attention to his Brotberuf ("day job", literally "bread job"). Kafka preferred to communicate by letter; he wrote hundreds of letters to family and close female friends, including his father, his fiancée Felice Bauer, and his youngest sister Ottla. He had a complicated and troubled relationship with his father that had a major effect on his writing. He also suffered conflict over being Jewish, feeling that it had little to do with him, although critics argue that it influenced his writing.
Only a few of Kafka's works were published during his lifetime: the story collections Betrachtung (Contemplation) and Ein Landarzt (A Country Doctor), and individual stories (such as "Die Verwandlung") in literary magazines. He prepared the story collection Ein Hungerkünstler (A Hunger Artist) for print, but it was not published until after his death. Kafka's unfinished works, including his novels Der Process, Das Schloss and Amerika (also known as Der Verschollene, The Man Who Disappeared), were published posthumously, mostly by his friend Max Brod, who ignored Kafka's wish to have the manuscripts destroyed. Albert Camus and Jean-Paul Sartre are among the writers influenced by Kafka's work; the term Kafkaesque has entered the English language to describe surreal situations like those in his writing.

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