Tuesday 16 September 2014


Friday, 19th September is Prose with
Helen Hagemann @ the Fremantle Arts Centre:  Our start will be in the CafĂ© at 12.45pm, then Room 3 to 2.45pm
Class to read an excerpt from To the Lighthouse by Virginia Woolf. Writing Exercises and discussion will look at the “Passage of Time” in the novel, and “shifts in time” in the short story. 

TIME PASSES -  3.    
"But what after all is night? A short space especially when darkness dims so soon, and so soon a bird sings, a cock crows, or a faint green quickens, like a turning leaf, in the hollow of the wave. Night, however, succeeds to night. The winter holds a pack of them in store and deals them equally, evenly, with indefatigable fingers. They lengthen; they darken. Some of them hold aloft clear planets, plates of brightness. The autumn trees, ravaged as they are, take on the flash of tattered flags kindling in the gloom of cool cathedral caves where gold letters on marble pages describe death in battle and how bones bleach and burn far away in Indian sands. The autumn trees gleam in the yellow moonlight, in the light of harvest moons, the light which mellows the energy of labour, and smooths the stubble, and brings the wave lapping blue to the shore."

To the Lighthouse is a 1927 novel by Virginia Woolf. A landmark of high modernism, the novel centres on the Ramsays and their visits to the Isle of Skye in Scotland between 1910 and 1920. Following and extending the tradition of modernist novelists like Marcel Proust and James Joyce, the plot of To the Lighthouse is secondary to its philosophical introspection. The novel includes little dialogue and almost no action; most of it is written as thoughts and observations. The novel recalls childhood emotions and highlights adult relationships. Among the book's many tropes and themes are those of loss, subjectivity, and the problem of perception. In 1998, the Modern Library named To the Lighthouse No. 15 on its list of the 100 best English-language novels of the 20th century. In 2005, the novel was chosen by TIME magazine as one of the one hundred best English-language novels from 1923 to present. According to thegreatestbooks.org, a site which uses algorithms to numerically determine the best-received books, To the Lighthouse is the 21st most critically acclaimed work of fiction ever made.  

Adeline Virginia Woolf (25 January 1882 – 28 March 1941) was an English writer, and one of the foremost modernists of the twentieth century.
During the interwar period, Woolf was a significant figure in London literary society and a central figure in the influential Bloomsbury Group of intellectuals. Her most famous works include the novels Mrs Dalloway (1925), To the Lighthouse (1927) and Orlando (1928), and the book-length essay A Room of One's Own (1929), with its famous dictum, "A woman must have money and a room of her own if she is to write fiction." 


Resources: Wikipedia :  http://en.wikipedia.org/wiki/To_the_Lighthouse
                                             http://en.wikipedia.org/wiki/Virginia_Woolf

Monday 1 September 2014

 Friday, 5th September is Prose with
Helen Hagemann.  10.00am til noon @ the Fremantle Arts Centre CafĂ©.  Cost $20
Class to read excerpts from 12 Edmonstone Street by David Malouf. Writing Exercises and discussion will centre on writing “memoir/autobiography” in particular the importance of place; houses also as a suitable subject for the short story writer.  

12 Edmondstone Street combines autobiography with a subtle, almost painterly sense of the ways in which the objects which we surround ourselves, and the places in which we live, build up our private maps of reality and shape our personal mythologies.  Malouf begins by describing with love, evocative detail, the house in Brisbane where he was born and grew up, moving from room to room, always relating the smallest items in it to the life he remembers and his widening perception of the world at large. He moves on to describe life in the Tuscan village where he lived, and the arrival of an Australian Television crew; reflecting on his first visit to India, he touches on the problems of interpreting and evaluating unfamiliar places; back in Australia, he recalls a traumatic wartime journey with his father from Brisbane to Sydney. Funny, humane and beautifully written, this is a unique and extraordinary essay in autobiography.
This remarkable book combines autobiography with a subtle, almost painterly sense of the ways in which the objects which we surround ourselves, and the places in which we live, build up our private maps of reality and shape our personal mythologies. David Malouf begins by describing in love, evocative detail, the house in Brisbane where he was born and grew up, moving from room to room, always relating the smallest items in it to the life he remembers and his widening perception of the world at large. He moves on to describe life in the Tuscan village where he lived, and the arrival of an Australian Television crew; reflecting on his first visit to India, is an internationally acclaimed author. His books include the novels The
Great World (winner of the Commonwealth Writers' prize and the Prix Femina Etranger), Remembering Babylon (shortlisted for the Man Booker Prize and winner of the IMPAC Dublin Literary Award), An Imaginary Life, Conversations at Curlow Creek, and his latest, Ransom (winner of the Criticos Prize), the short story collections Dream Stuff ('These stories are pearls' Spectator), and Every Move You Make ('Rare and luminous talent' Guardian), and his autobiographical classic 12 Edmondstone Street. His Collected Stories won the 2008 Australia-Asia Literary Award. In 2008 Malouf was the Scottish Arts' Council Muriel Spark International Fellow. Born in 1934 in Brisbane, he now lives in Sydney. Malouf, internationally recognised as one of Australia’s finest writers, has also written five collections of poetry and three opera libretti.
Books
Here is a list of his works: Johnno, An Imaginary Life, Fly Away Peter, Child’s Play, Harland’s Half Acre, Antipodes, The Great World, Remembering Babylon, The Conversations at Curlow Creek, Dream Stuff. Poetry: ‘Interiors’ (in Four Poets), Bicycle and Other Poems, Neighbours in a Thicket, Poems 1976–7, The Year of the Foxes and Other Poems, First Things Last, Wild Lemons, Selected Poems, Typewriter Music, Plays Blood Relations, Libretti 
Baa Baa Black Sheep, Jane Eyre, For my Sister, Jill.

POETRY CLASS TERMS 3-4, 2019

POETRY with Shane McCauley

JULY - DECEMBER
12th, Friday 1pm - early December 2019 1pm-3pm

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    Writing at the Centre is an independent writing class conducted each Friday at the Fremantle Arts Centre, Print Room, upstairs in the main building.

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