An OOTA Prose Workshop with Marlish Glorie

A workshop on Setting, Character and Plot with Marlish Glorie Friday 14th October 1.00 - 3.00 p.m.*
 
Setting, characters, and plot are the three support legs stories are built on.
A novel needs all three legs to be strong and steady.  My workshop will be focusing on writing exercises to develop participants’ skill at writing stories that establish setting, while concurrently revealing character and plot.
 
Tutor Biography
Marlish Glorie is a novelist and playwright. She has had two published novels, The Bookshop on Jacaranda Street and Sea Dog Hotel, and is currently working on her third. A number of her plays have also been produced. She is a popular teacher of creative writing and mentors young and emerging novelists.
 
*Marlish would love to see you all there!  Fremantle Arts Centre, Uptairs Room 3. Class fees OOTA $20/ NON OOTA $25*

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Writing at the Centre News: No Prose class for 30th September

No class means I'll be bored!

Dear Writers
While I'm away on leave, please note the following classes and dates for Writing at the Centre and for reasons beyond our control the Fremantle Arts Centre do not have a room for us during the Sep/Oct holidays.
 
*SEPTEMBER*
Friday 30th Class XXLD - School holidays - no room available
*OCTOBER*
Prose Friday 14th 1pm-3pm with Marlish Glorie
Prose Friday 28th 1pm-3pm with Helen Hagemann
 
*A workshop on Setting, Character and Plot with Marlish Glorie Friday 14th
October 1.00p.m.-3.00 p.m.*
 
Setting, characters, and plot are the three support legs stories are built
on.
 
A novel needs all three legs to be strong and steady.  My workshop will be
focusing on writing exercises to develop participants’ skill at writing
stories that establish setting, while concurrently revealing character and
plot.
 
 
Tutor Biography
 
Marlish Glorie is a novelist and playwright. She has had two published
novels, The Bookshop on Jacaranda Street and Sea Dog Hotel, and is
currently working on her third. A number of her plays have also been
produced. She is a popular teacher of creative writing and mentors young
and emerging novelists.
 
 

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The Short Story Revision Workshop 5: with Helen Hagemann - Freytag's Pyramid

The Short Story Revision Workshop 5 with Helen Hagemann @ the Fremantle Arts Centre, Friday, 16th September, 1pm-3pm.  This workshop will review Freytag's Pyramid as a model for the short story and it's plot.  This is the last in the series, so we will read the short story The Swimmer by John Cheever: a story that moves away from the conventional yet adds something interesting, bizarre and quirky.  Writing exercises will help the writer experiment with non-traditional forms of the short story.

Venue: Fremantle Arts Centre, Upstairs Room 3.

Time: 1-3pm. What to bring:  Notepad, pen, laptop or iPad

Cost:  OOTA $20  - NON-OOTA $25 (ask for membership form to save). Please note: No credit card facility and new attendees who arrive without the class fee will be asked to leave. For information on joining OOTA and what we do, please visit our website http://ootawriters.com 

Analyzing a story's plot: Freytag's Pyramid
Gustav Freytag was a Nineteenth Century German novelist who saw common patterns in the plots of stories and novels and developed a diagram to analyze them. He diagrammed a story's plot using a pyramid like the one shown here:		Freytag's Pyramid 1. Exposition: setting the scene. The writer introduces the characters and setting, providing description and background. 2. Inciting Incident: something happens to begin the action. A single event usually signals the beginning of the main conflict. The inciting incident is sometimes called 'the complication'. 3. Rising Action: the story builds and gets more exciting. 4. Climax: the moment of greatest tension in a story. This is often the most exciting event. It is the event that the rising action builds up to and that the falling action follows. 5. Falling Action: events happen as a result of the climax and we know that the story will soon end. 6. Resolution: the character solves the main problem/conflict or someone solves it for him or her. 7. Dénouement: (a French term, pronounced: day-noo-moh) the ending. At this point, any remaining secrets, questions or mysteries which remain after the resolution are solved by the characters or explained by the author. Sometimes the author leaves us to think about the THEME or future possibilities for the characters. You can think of the dénouement as the opposite of the exposition: instead of getting ready to tell us the story by introducing the setting and characters, the author is getting ready to end it with a final explanation of what actually happened and how the characters think or feel about it. This can be the most difficult part of the plot to identify, as it is often very closely tied to the resolution.
Adapted from http://users.aber.ac.uk/jpm/ellsa/ellsa_openboat3.html

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